Amy Nelson is active in the Omaha Arts community, specifically through her work with the Creative Workshops at the Siena/Francis House Homeless Shelter and as a member of the Union for Contemporary Art's Board of Directors. Amy was a Mentor in the Joslyn Art Museum's Kent Bellows Mentoring Program from 2010-2017. For her work with young artists in this program Amy received the 2015 Midlands Mentoring Partnership (MMP) Mentor of the Year. Amy has exhibited her work in numerous exhibitions across the US and been an Artist in Residence at the Watershed Center for Ceramic Art in Newcastle, Maine and The Vermont Studio Center in Johnson, Vermont. Amy has given lectures, demonstrations and hosted workshops on the American Craft Movement and the role art plays in civic engagement. Amy received her BFA from Creighton University in 1997 and her MFA from East Carolina University College of Fine Arts and Communication School of Art & Design in 2002. Currently Amy is an Associate Professor of Fine Art and the Director of the Scheerer Scholars in the Arts program at Creighton University, teaching courses in Ceramics and Art and Civic Engagement.
Teaching Interests
Ceramics
Research Focus
As an artist I align myself, and my work, within the tradition of functional crafts and the concept of being-in-the-world. My work ranges from functional ceramics to concept driven “functioning” installations. Whatever form the work takes I continue to apply the underlying principle of artistic practice as a vehicle for social and political change. My current body of work explores the cultural importance of both preserving and creating a collective heritage, and stems from the belief that handcrafted objects gain meaning from their relationship to personal use. The objects become an extension of personal identity, which comes from the idea that they are held, cared for, embraced, exchanged, learned from, and handed down; they are objects of experience.
Creighton University Working Materials (Curatorial Essay), a solo exhibition by Angie Seykora, Creighton University Lied
Art Gallery, Omaha, NE
This curatorial essay was published as part of the exhibition catalog for Working Materials and was the 1st in a yearlong series of special exhibitions at the Lied Art Gallery commemorating the 50th Anniversary of the Fine and Performing Arts Department. This exhibition showcased recent works by Angie Seykora, CU alumnae (BFA ’09) that demonstrated investigations into pattern, labor and the hierarchy of material through her craft based studio practice. 2015
Presentations
Women's Center for Advancement, Omaha, NE - Commission. The WCA solicited proposals from Nebraska women artists to purchase artwork for permanent display in their new facility at 3801 Harney St. My proposal was selected and I was commissioned to create two bodies of work specifically for the WCA. 2018
A Creighton Exhibition, Creighton University Lied Art Gallery, Omaha, NE This exhibition, featuring the current creative scholarship of the CU Studio Art Faculty was held in conjunction with the performance of CU Music Professor Dr. Frederick Hannas original composition as part of the Fine and Performing Arts Departments 50th Anniversary Celebration. 2016
12th Annual Omaha North Hills Pottery Tour, Big Table Studios, Herman, NE. This annual tour hosts nationally recognized ceramic artists and has gained regional acclaim for its support of creative excellence in the Ceramic Arts. The ONHPT has been featured on NETV, Nebraska Public Television and promoted on a national level in Ceramics Monthly magazine. 2016
Crysalis, Joslyn Art Museum's Kent Bellows Mentoring Program Spring Student and Mentor Exhibition, Kent Bellows Studio, Omaha, NE 2016
Creighton University Faculty Show (group exhibition) Norfolk Arts Center Main Gallery, and Heirloom (solo exhibition) Norfolk Arts Center Atrium Gallery, Norfolk, NE. 2016
Empty Bowls Project, Lied Art Gallery, Creighton University, Omaha, NE The cornerstone of the CU Empty Bowls Project is the service-learning course Arts and Civic Engagement. Students enrolled in this course work in a communal environment both inside and outside the classroom in partnership with the Siena/Francis House Homeless Shelter. Through a hands-on approach students learn the value of labor and its creative application to real-world situations. The proceeds from every bowl sold during the CU Empty Bowls Project goes directly to the Siena/Francis House of Omaha. And every bowl serves as a reminder that even the smallest efforts can support positive social change. This was the 6th Empty Bowls Project at Creighton and involved collaborative teaching methods with Dr. Eileen Wirth (JMC). My students worked closely with students in the PRSSA (Public Relations Student Society of America) to increase attendance and proceeds generated through the event. Due to the students efforts local news media covered the event and overall had record sales bringing the total proceeds raised through the CU Empty Bowls project to over $33,000. 2015
11th Annual Omaha North Hills Pottery Tour, Big Table Studios, Herman, NE. 2015
Creative Workshop, Siena/Francis House Homeless Shelter, Omaha, NE 2015
Alien Footprint, Joslyn Art Museum's Kent Bellows Mentoring Program Fall Student and Mentor Exhibition, Kent Bellows Studio, Omaha, NE 2014
10th Annual Omaha North Hills Pottery Tour, Big Table Studios, Herman, NE. 2014
Alternation of Mood, Joslyn Art Museum's Kent Bellows Mentoring Program Spring Student and Mentor Exhibition, Kent Bellows Studio, Omaha, NE 2014
Empty Bowls Project, Lied Art Gallery, Creighton University, Omaha, NE 2013
Spectrum, Kent Bellows Studio Fall Mentor Exhibition, Star Deli Gallery, Omaha, NE 2013
Portfolio Review Preparation Panel, Joslyn Art Museum, Omaha, NE 2013
Lifeworld, Kent Bellows Studio Summer Student and Mentor Exhibition, Kent Bellows Studio, Omaha, NE 2013
Heirloom, a solo exhibition by Amy Nelson, Kent Bellows Studio, Omaha, NE (Dir. Weston Thomson) This solo exhibition built upon my Disacclimate series, as I continue to research the impact of womens creative labor, focusing on the contemporary implications of a varied past. 2013
Polychromes, Kent Bellows Studio Spring Mentor Exhibition, Petshop Gallery, Omaha, NE 2013
Visiting Artist, Women in the Arts, Creighton University, Omaha, NE 2013
Ceramic Workshop Slab-building and Transfer Techniques, Omaha Creative Institute, Omaha, NE 2013
Femme Qui Bercent (Women who Rock), Noyes Art Gallery, Lincoln, NE (Regional Invitational, Dir. Susan Woodford) This regional invitational curated by Susan Woodford in conjunction with the blog Les Femmes Folles took place during Women's History Month. Its goal was to support and promote women in all forms of creativity. 2013
Presenter -Pecha Kucha Night Omaha Vol. 18, hosted by design alliance OMAha inc., The Slowdown, Omaha, NE 2013
Disacclimate, works by Amy Nelson, Birdhouse Collectible, Omaha, NE (Dir. Rebecca Herskovitz) This exhibition represented research investigating the historical impact of the politics and policies of womens rights in the United States. This solo exhibition embraced the historical past of "handicraft" by reinventing, or repositioning traditionally female symbols and activities. I incorporated the look of familiar crafts, such as the sewing pincushion and tatted lace to solidify their cultural associations into rigid ceramic forms. Through this process I worked to present the familiar in an unfamiliar way. 2012
Pulled from the Matrix, Hot Shops Art Center, Omaha, NE (Regional Juried, Jurors Lori Elliott-Bartle, Amy Haney, and Julie Sopscak) This regional juried exhibition showcased prints alongside the matrix (plate or block) from which the prints were pulled. My work selected for this exhibition is part of my Disacclimate series. 2012
Visual Art Faculty Exhibition, Lied Art Gallery, Creighton University, Omaha, NE 2012
14th Annual Art Auction, Bemis Center for Contemporary Art, Omaha, NE (International Invitational, Dir. Mark Masuoka) 2012
The Power of Nine, Bancroft Street Market, Omaha, NE (Local Invitational, Dir. Jody Boyer) The Power of Nine featured artists whose work ranges from contemplative to cynical, from investigative to downright outlandish, that pushes the power of creativity and coming together to make a difference. A portion of the profits from this exhibition directly benefited the Omaha Deer Park Neighborhood Association to support their programs. This exhibition was featured in both the online and printed editions of the Omaha Reader. 2012
Empty Bowls Project, Lied Art Gallery, Creighton University, Omaha, NE 2012
Cups & Coffee, Fuel Coffee, Seattle, WA (National Juried, Juror Dylan J Beck) This exhibition was juried from over 400 national submissions and was part of the 46th Annual National Council for the Education of the Ceramic Arts conference. Two of my works were selected to be included in the exhibition of 100 works. 2012
Archipelago, Kent Bellows Studio Spring Mentor Exhibition, Lied Art Gallery, Creighton University, Omaha, NE 2012
Les Femmes Folles Discussion Forum: Women in the Visual Arts, Omaha, NE 2011
Re-presenting Tradition: The influence and impact of the American Craft Movement, CU at Joslyn Lecture Series, Joslyn Art Museum, Omaha, NE 2011
Throwing Porcelain on the Wheel, Corning Center for Fine Arts, Corning, IA 2010
Roundtable Forum, Creighton University Center for Health Policy and Ethics, Omaha, NE "Drugs and Prescription Drugs in Treating Mental Illness, an Interpretive Art Piece" 2010
Empty Bowls Project, Lied Art Gallery, Creighton University, Omaha, NE 2010