C.B.B.V.D. GA: Two Different Sets
- Albums of Cards or Stickers
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- Bergeret GA
- A C Bertrand
- Bonniol Children
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- Carnaval de Nice 1903
- C.B.B.V.D. GA: Two Different Sets
- Jean Claval: "L'Aventure Carto," 1992
- Collection Charier
- Chloro-Platine WL
- Chocolat de Royat
- Chromovogue
- Cigale MTIL
- Anonymous Eleven-Card Photographic Series La Cigale et la Fourmi
- C. Clayette MM
- Coudray UP
- Deux Coqs by Charles Collas & Compagnie
- Deux Coqs Royer Nancy
- FC Ten Cards by OEP
- Creation Carrère: E.S. Paris
- GA Croissant Fontane
- GA Werder, Nels, and Farine
- MM Croissant- Sazerac
- TH Croissant Fontane
- Van Cortenbergh, Brussels
- E.D.F. Fables de La Fontaine
- Esperanto Series
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- Femina FG
- Femina Fox and Bust
- Fetes La Fontaine
- FLIP
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- GA by PL and RPI
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- A. Gonin GA
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- Le Guilloux
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- Héliotypie Dugas "Fool" and "Worker"
- Les Ineffables de La Fontaine
- Les Oeuvres Rares
- Iranian Art
- La Fontaine by Jack (Jacques Hubert Bonnefoy)
- Krylov White Textbox
- Krylov
- Jeanne Lagarde
- Laines du Marin
- Felix Lorioux by Pixiluv
- Rotislas Loukine
- Märchen-Postkarten zum Ausmalen
- Materne Dutch
- Achille Mauzan
- Michigan 1793
- Henri Mirande
- Montmorillon: Deuxieme Salon de l'Image et de l'Écrit
- Henry Morin
- Musée de La Fontaine
- M.M.V. Sauvegarde de l'Enfance
- Nice Carnival 1953
- Ernest Nister
- Jacques Nongort
- Oudry by Quantin
- Jim Patt
- Perrette Montrut
- Perrete with a dog
- Petit Poisson et Pécheur Sazerac Croissant
- Petit Séminaire Flers-de-l'Orne
- J.M. Piettre
- Pro-Pax Insecticide
- Rabier Lombard
- Rackham Postcards
- RPI Lex Deux Pigeons
- Maggie Salzedo Ricqles
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- Sanbourn Souvenir
- Sazerac Croissant FC
- Semaine Nationale
- S.I.P. GA
- S.I.P. TMCM
- S.I.P. Two Doves
- S.I.P. WL
- V. Spahn
- Sparkly French
- Starling Postcards
- Stebbing: La Cigale et la Fourmi
- Stebbing: Revanche de la Cigale
- Stebbing: Les Tourtereaux
- Stereoscopic Postcards L'Imprimerie Nouvelle Photographique
- Studio Stefan
- Storck Postcards
- Monique Touvay
- TMCM Red-Colored Photographic French 1904
- TMCM Croissant Fontane
- TMCM SE 3127
- Tolstoy by Nikolai Romadin
- Tuck-Up To Date
- Tuppo from V & A
- Vieux Moulins
- WAL
- Individual Postcards
- Märchen-Postkarten zum Ausmalen
- Postcard Series
- Prize Cards/Bon Points
- Proverb Cards
- Shadow Cards
- Stereopticon Cards
- Stitching embroidery cards
- Tarot Cards
- Tea Cards
- Telephone Cards
- Trade Cards
- Trading Cards
- Other Cards
As I first catalogued a large number of cards that Bertrand Cocq had found for me, I scanned and commented on two cards from a set with the mark "C. B.B. V.D." Later in my cataloguing, I found together three cards from a similar set, also with the mark ""C. B.B. V.D." To my surprise, not only are the cards differently formatted but also differently numbered, so that this second set starts with a phase not in the first set, something like the cicada dealing with a carnival barker. Enjoy noticing the little differences. The verso in this set has the same information but different typeface.
1910? Two numbered photographic postcards (from a set of ?) illustrating GA. "C. B.B. V.D." $20 from Bertrand Cocq, Calonee Ricouart, France, Sept., '18.
The dress of the "cicada" is similar to that in the Bergeret single photograph of this fable. The ant is dressed differently but similarly employed, namely spinning at a wheel. The series begins as La Fontaine does, with the cicada approaching the ant for help, though the poet introduces the fable with the background that the cicada had been singing all summer. The second card then focuses, more quickly than La Fontaine does, on the ant herself. Both cards include a greeting on the picture side: "Nous t'embrassons tous, Marie Madeleine." On the second card, Marie Madeleine adds "Ta Fille." It is tempting to try to decipher the date on the postmark. So far I have failed!
GA #1 | GA #2 |
1910? Three numbered photographic postcards (from a set of ?) illustrating GA. "C. B.B. V.D." $30 from Bertrand Cocq, Calonee Ricouart, France, Sept., '18.
This set makes the change of having the cicada encounter a circus barker in the story's first phase. The story then turns to what is the second card in the other version: a look at the ant, apparently hard at work spinning. Then in third place comes the moment pictured first in the other set. Notice the different placement of the fable's title in this #3 card. As I noted then, the dress of the "cicada" is similar to that in the Bergeret single photograph of this fable.
GA #1 | GA #2 |
GA #3 |